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The World from Rough StonesPublished by Knopf and Hodder & Stoughton 1974This is the first of the four-volume Stevenson Saga. It tells the story of two ambitious but poor young people who, at the very start of the Victorian Era (1839) combine their considerable talents to found a dynasty and go on to fame and fortune. When they first meet, John Stevenson is a navvy foreman working on the Summit Tunnel of the Manchester & Leeds Railway. A near-fatal accident brings young Nora Telling into his life. Her nimbleness of mind and his power of command enable them to take over the working, with John now as main contractor, and rescue it from catastrophe. The story was a sensation when it first appeared and New American Library paid almost half a million dollars for the paperback rights a near-record for those days.
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The Rich Are With You AlwaysPublished by Knopf and Hodder & Stoughton, 1976Continuing the Stevenson saga, we watch the seemingly inexorable rise to wealth and power of John and Nora Stevenson through the years of the Railway Mania and the financial crash which followed it. Though technically bankrupt and mired in debt, they have Nora's financial acumen to thank for their survival. But the strains have dire effects on their marriage, and mere wealth, they discover, is no recompense for unhappiness
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Sons of FortunePublished by Knopf and Hodder & Stoughton, 1978The Stevensons are now one of the richest families in the world, but John, recalling his lowly past, wants children who obey to the letter and never put a foot wrong. But his four eldest children, Young John, Winifred, Caspar, and Abigail, have ideas of their own and the tensions threaten to pull the family apart
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AbigailPublished by Knopf and Hodder & Stoughton, 1979Her life is a mid-Victorian voyage of discovery from the moment she tricks her maid, Annie, into telling her the facts of life to the moment when she comes to realize that the same shocking secret can be a glorious and life-enhancing mystery ... to the years of her success as a writer ... to the shame of a bastard child ... to the discovery of her parents' sordid past ... to the crowning moment when she sums it all up in an address to a packed hall of suffragists. Time and again she finds a resonance between her own experiences and Annie's, who, dismissed without a character, is forced into prostitution with very unvictorian results
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What, if one may so put it, would Dickens be without a bit of Malcolm Macdonald? Martin Seymour-Smith |